|
|
|
Graduate Objects |
|
![]() Salt Plate I experimented with salt quite a bit. This is a growth of salt crystals upon an old photographic plate. Anciently speaking, glass plates were coated with photo-reactive compounds and these became the negatives. Development of photographs is an acid-base-salt step process, so I thought that it fit. ![]() Group Paper Stand Paper dipped in casting slip and allowed to dry. As the slip dries and shrinks the paper curves and is able to stand. I further developed this idea and used it for the installation "Approachable." ![]() Paper Stand Placed upon it's own pedestal, this lowly piece of paper and clay gains importance. ![]() Now it's Glazed Lead brick slammed into an unfired mound of clay with a section of shale beneath. Lead has a bad rap in the ceramic world and it's too bad because it can produce some great colors. Shale is a sedimentary rock formed by compaction. ![]() Hose What can I say?... more of a "can I really make this" sort of incentive. Nobody said anything about this sculpture in my critique. ![]() Salt Journal I began keeping a log of my experimentations and treating it as an art object. Salt it a material I take to signify growth and transformation. ![]() Salt Book for Jack Unsatisfied with the initial presentation, I introduced more. Jack Burnham's "Great Western Salt Works" influenced this piece. ![]() Salt Book for Jack Detail ![]() Process Book Another instance in which documentation of the work and my thought process becomes a work of art. I was thinking of the impermanence of installation work and the proliferation of documentation. I began to wonder which was more important. ![]() Trayed Failure I also treated my failed investigations as works of art. In this case, I was looking to produce a gradual slaking of a clay post. All it did was topple over. So I threw in some mineral signifiers and brought about a Deuchamp assemblage. ![]() Smells Like an Opening This piece began with dissatisfaction for the gallery floor of the OSU Main Gallery. I brought my own floor to the gallery. It caused me to consider the false "staged" feeling I experienced during gallery openings. Fresh paint always made me feel like something was being covered up. The bucket is mostly filled with plaster and topped with paint. I drilled a hole all the way through one side of the bucket for anybody that cared to look. |
Modified: 03/26/08 17:24:00 | Credit where credit is due. web hosting by 2mHost.com |